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4 million Europeans petition the EU to abandon its disastrous new copyright law...

This will deprive European creators of their livelihood in favour of mostly American corporations. And yet these corporations are complaining that the law does not go far enough


Link Here 14th December 2018
Full story: Copyright in the EU...Copyright law for Europe

4,000,000 Europeans have signed a petition opposing Article 13 of the new Copyright in the Single Market Directive. They oppose it for two main reasons: because it will inevitably lead to the creation of algorithmic copyright filters that only US Big Tech companies can afford (making the field less competitive and thus harder for working artists to negotiate better deals in) and because these filters will censor enormous quantities of legitimate material, thanks to inevitable algorithmic errors and abuse.

On Monday, a delegation from the signatories officially presented the Trilogue negotiators with the names of 4,000,000+ Europeans who oppose Article 13. These 4,000,000 are in esteemed company: Article 13 is also opposed by the father of the Internet, Vint Cerf, and the creator of the Web, Tim Berners-Lee and more than 70 of the Internet's top technical experts, not to mention Europe's largest sports leagues and film studios. Burgeoning movements opposing the measure have sprung up in Italy and Poland.

But no matter how much damage the EU proposed law will do to European businesses and creators, it does not go far enough for the large corporates. This leaves a tricky negation for the EU power brokers of the EU Commission and EU Council of Ministers. The law is widely opposed by European people but now the US corporates are whingeing that they don't like a few concessions made to get get the bill through the European Parliament. They want the full horror of censorship machines resurrected. The EFF reports on a delay to proceedings:

This week EU negotiators in Strasbourg struggled to craft the final language of the Copyright in the Single Digital Market Directive, in their last possible meeting for 2019. They failed, thanks in large part to the Directive's two most controversial clauses: Article 11, which requires paid licenses for linking to news stories while including more than a word or two; and Article 13, which will lead to the creation of error-prone copyright censorship algorithms that will block users from posting anything that has been identified as a copyrighted work -- even if that posting is lawful. This means that the Directive will not be completed, as was expected, under Austria's presidency of the European Union. The negotiations between the European Parliament, representatives of the member states, and the European Commission (called "trilogues") will continue under the Romanian presidency, in late January.

The controversy over Article 13 and Article 11 has not diminished since millions of Europeans voiced their opposition to the proposals and their effect on the Internet earlier this year. Even supporters and notional beneficiaries have now grown critical of the proposals. An open letter signed by major rightsholder groups, including movie companies and sports leagues, asks the EU to exempt their products from Article 13 altogether , and suggest it should only apply to the music industry's works. Meanwhile, the music industry wrote their own open letter, saying that he latest proposed text on Article 13 won't solve their problems. These rightsholders join the world's most eminent computer scientists, including the inventors of the Internet and the Web, who denounced the whole approach and warned of the irreparable harm it will do to free expression and the hope of a fair, open Internet.

The collective opposition is unsurprising. Months of closed-door negotiations and corporate lobbying have actually made the proposals worse : even less coherent, and more riddled with irreconcilable contradictions. The way that the system apportions liability (with stiff penalties for allowing a user to post something that infringes copyright, and no consequences for censoring legitimate materials) leads inexorably to filters . And as recent experiences with Tumblr's attempt to filter adult material have shown, algorithms are simply not very good at figuring out when a user has broken a rule, let alone a rule as technical and fact-intensive as copyright.

What is worse, the Directive will only reinforce the power of US Big Tech companies by inhibiting the emergence of European competitors. That's because only the biggest tech companies have the millions of euros it will cost to deploy the filters Article 13 requires. Proponents of Article 13 stress that the dominance of platforms like Google and Facebook leaves them with insufficient bargaining leverage and say this leads to a systematic undervaluing of their products. But Article 13 will actually reduce that leverage even further by preventing the emergence of alternative platforms.

Compromises suggested by the negotiators to limit the damage are proving unlikely to help. Prior to the Trilogue, Article 13 was imposed on all online platforms save those businesses with less than 10 million euros in annual turnover. Some parties, realising that this will limit the EU tech sector, have suggested changing the figure, but doubling that figure to 20 million doesn't help. If you own a European tech company that you hope will compete with Google someday, you will have to do something Google never had to face: the day you make the leap from 20 million euros in annual turnover to 20,000,001 euros, you will have to find hundreds of millions of euros to implement an Article 13 copyright filter.

Others have proposed a "notice-and-staydown" system to reassure rightsholders that they will not have to invest their own resources in maintaining the copyright filters. But creating this model for copyright complaints extinguishes any hope of moderating the harms Article 13 will do to small European companies. Earlier drafts of Article 13 spoke of case-by-case assessments for mid-sized platforms, which would exempt them from implementing filters if they were judged to be engaged in good faith attempts to limit infringement. But notice-and-staydown (the idea that once a platform has been notified of a user's copyright violation, it must prevent every other user from making such a violation, ever) necessarily requires filters. Others in the negotiation are now arguing that microenterprises should have to pay the burden, and are pressing for even these small and mid-sized business exemptions to be deleted from the text.

With European internet users, small business people, legal experts, technical experts, human rights and free speech experts all opposed to these proposals, we had hoped that they would be struck from the Trilogue's final draft. Now, they are blocking the passage of other important copyright reforms. Even Article 13 and 11's original advocates are realising how much they depend on a working Internet, and a remuneration system that might have a chance of working.

Still, the lobbying will continue over the holiday break. Some of the world's biggest entertainment and Internet companies will be throwing their weight around the EU to find a "compromise" that will keep no-one happy, and will exclude the needs and rights of individual Internet users, and European innovators.

Read more about the Directive, and contact your MEPs and national governments at Save Your Internet .

 

 

Pots claim copyright on calling kettles black...

Copyright lobbyists whinge about Julia Reda's campaign methods


Link Here 10th December 2018
Full story: Copyright in the EU...Copyright law for Europe

As the controversy over the EU's Article 13 censorship machines continue, Twitter appears to be the communications weapon of choice for parties on both sides.

As one of the main opponents of Article 13 and in particular its requirement for upload filtering, Julia Reda MEP has been a frequent target for proponents. Accused of being a YouTube/Google shill (despite speaking out loudly against YouTube's maneuvering), Reda has endured a lot of criticism. As an MEP, she's probably used to that.

However, a recent response to one of her tweets from music giant IFPI opens up a somewhat ironic can of worms that deserves a closer look.

Since kids will be affected by Article 13, largely due to their obsessiveness with YouTube, Reda recently suggested that they should lobby their parents to read up on the legislation. In tandem with pop-ups from YouTube advising users to oppose Article 13, that seemed to irritate some supporters of the proposed law.

As the response from IFPI's official account shows, Reda's advice went down like a lead balloon with the music group, a key defender of Article 13. The IFPI tweeted:.

Shame on you: Do you really approve of minors being manipulated by big tech companies to deliver their commercial agenda?

It's pretty ironic that IFPI has called out Reda for informing kids about copyright law to further the aims of big tech companies. As we all know, the music and movie industries have been happily doing exactly the same to further their own aims for at least ten years and probably more.

Digging through the TF archives, there are way too many articles detailing how big media has directly targeted kids with their message over the last decade. Back in 2009, for example, a former anti-piracy consultant for EMI lectured kids as young as five on anti-piracy issues.

 

 

A copyrighted internet...

Poland stands up to the EU to champion the livelihoods of thosands of Europeans against the disgraceful EU that wants to grant large, mostly American companies, dictatorial copyright control of the internet


Link Here 6th December 2018
Full story: Copyright in the EU...Copyright law for Europe

In 2011, Europeans rose up over ACTA , the misleadingly named "Anti-Counterfeiting Trade Agreement," which created broad surveillance and censorship regimes for the internet. They were successful in large part thanks to the Polish activists who thronged the streets to reject the plan, which had been hatched and exported by the US Trade Representative.

Now, Europe is in on the verge of an ever farther-reaching scheme to censor and surveil the internet: the new Copyright Directive, which limits who can link to (and criticise) the news and sets up crowdsourced databases of blacklisted content that anyone can add anything to, and which cannot thereafter be published online.

The Poles aren't having any of it: a broad coalition of Poles from the left and the right have come together to oppose the new Directive, dubbing it "ACTA2," which should give you an idea of how they feel about the matter.

There are now enough national governments opposed to the Directive to constitute a "blocking minority" that could stop it dead. Alas, the opposition is divided on whether to reform the offending parts of the Directive, or eliminate them outright (this division is why the Directive squeaked through the last vote, in September), and unless they can work together, the Directive still may proceed.

A massive coalition of 15,000 Polish creators whose videos, photos and text are enjoyed by over 20,000,000 Poles have signed an open letter supporting the idea of a strong, creator-focused copyright and rejecting the new Copyright Directive as a direct path to censoring filters that will deprive them of their livelihoods.

The coalition points out that online media is critical to the lives of everyday Poles for purposes that have nothing to do with the entertainment industry: education, the continuation of Polish culture, and connections to the global Polish diaspora.

Polish civil society and its ruling political party are united in opposing ACTA2; Polish President Andrzej Duda vowed to oppose it.

Early next month, the Polish Internet Governance Forum will host a roundtable on the question; they have invited proponents of the Directive to attend and publicly debate the issue.

 

 

Silencing European internet users...

Reddit explains to European users that it won't be able to operate effectively under forthcoming EU copyright law


Link Here 5th December 2018
Full story: Copyright in the EU...Copyright law for Europe

Defending equal access to the free and open internet is core to Reddit's ideals, and something that redditors have told us time and again they hold dear too, from the SOPA/PIPA battle to the fight for Net Neutrality. This is why even though we are an American company with a user base primarily in the United States, we've nevertheless spent a lot of time this year warning about how an overbroad EU Copyright Directive could restrict Europeans' equal access to the open Internet--and to Reddit.

Despite these warnings, it seems that EU lawmakers still don't fully appreciate the law's potential impact, especially on small and medium-sized companies like Reddit. So we're stepping things up to draw attention to the problem. Users in the EU will notice that when they access Reddit via desktop, they are greeted by a modal informing them about the Copyright Directive and referring them to detailed resources on proposed fixes .

The problem with the Directive lies in Articles 11 (link licensing fees) and 13 (copyright filter requirements), which set sweeping, vague requirements that create enormous liability for platforms like ours. These requirements eliminate the previous safe harbors that allowed us the leeway to give users the benefit of the doubt when they shared content. But under the new Directive, activity that is core to Reddit, like sharing links to news articles, or the use of existing content for creative new purposes (r/photoshopbattles, anyone?) would suddenly become questionable under the law, and it is not clear right now that there are feasible mitigating actions that we could take while preserving core site functionality. Even worse, smaller but similar attempts in various countries in Europe in the past have shown that such efforts have actually harmed publishers and creators .

Accordingly, we hope that today's action will drive the point home that there are grave problems with Articles 11 and 13, and that the current trilogue negotiations will choose to remove both entirely. Barring that, however, we have a number of suggestions for ways to improve both proposals. Engine and the Copia Institute have compiled them here at https://dontwreckthe.net/ . We hope you will read them and consider calling your Member of European Parliament ( look yours up here ). We also hope that EU lawmakers will listen to those who use and understand the internet the most, and reconsider these problematic articles. Protecting rights holders need not come at the cost of silencing European internet users.

 

 

Censorship machines...

Yes, the EU's New #CopyrightDirective is All About Filters. By Cory Doctorow


Link Here 30th November 2018
Full story: Copyright in the EU...Copyright law for Europe

When the EU started planning its new Copyright Directive (the "Copyright in the Digital Single Market Directive"), a group of powerful entertainment industry lobbyists pushed a terrible idea: a mandate that all online platforms would have to create crowdsourced databases of "copyrighted materials" and then block users from posting anything that matched the contents of those databases.

At the time, we, along with academics and technologists explained why this would undermine the Internet, even as it would prove unworkable. The filters would be incredibly expensive to create, would erroneously block whole libraries' worth of legitimate materials, allow libraries' more worth of infringing materials to slip through, and would not be capable of sorting out "fair dealing" uses of copyrighted works from infringing ones.

The Commission nonetheless included it in their original draft. Two years later, after the European Parliament went back and forth on whether to keep the loosely-described filters, with German MEP Axel Voss finally squeezing a narrow victory in his own committee, and an emergency vote of the whole Parliament. Now, after a lot of politicking and lobbying, Article 13 is potentially only a few weeks away from becoming officially an EU directive, controlling the internet access of more than 500,000,000 Europeans.

The proponents of Article 13 have a problem, though: filters don't work, they cost a lot, they underblock, they overblock, they are ripe for abuse (basically, all the objections the Commission's experts raised the first time around). So to keep Article 13 alive, they've spun, distorted and obfuscated its intention, and now they can be found in the halls of power, proclaiming to the politicians who'll get the final vote that "Article 13 does not mean copyright filters."

But it does.

Here's a list of Frequently Obfuscated Questions and our answers. We think that after you've read them, you'll agree: Article 13 is about filters, can only be about filters, and will result in filters.

  • Article 13 is about filtering, not "just" liability

    Today, most of the world (including the EU) handles copyright infringement with some sort of takedown process. If you provide the public with a place to publish their thoughts, photos, videos, songs, code, and other copyrightable works, you don't have to review everything they post (for example, no lawyer has to watch 300 hours of video every minute at YouTube before it goes live). Instead, you allow rightsholders to notify you when they believe their copyrights have been violated and then you are expected to speedily remove the infringement. If you don't, you might still not be liable for your users' infringement, but you lose access to the quick and easy 'safe harbor' provided by law in the event that you are named as part of any copyright lawsuit (and since the average internet company has a lot more money than the average internet user, chances are you will be named in that suit). What you're not expected to be is the copyright police. And in fact, the EU has a specific Europe-wide law that stops member states from forcing Internet services from having to play this role: the same rule that defines the limits of their liability, the E-Commerce Directive, in the very next article, prohibits a "general obligation to monitor." That's to stop countries from saying "you should know that your users are going to break some law, some time, so you should actively be checking on them all the time -- and if you don't, you're an accomplice to their crimes." The original version of Article tried to break this deal, by re-writing that second part. Instead of a prohibition on monitoring, it required it, in the form of a mandatory filter.

    When the European Parliament rebelled against that language, it was because millions of Europeans had warned them of the dangers of copyright filters. To bypass this outrage, Axel Voss proposed an amendment to the Article that replaced an explicit mention of filters, but rewrote the other part of the E-Commerce directive. By claiming this "removed the filters", he got his amendment passed -- including by gaining votes by MEPs who thought they were striking down Article 13.Voss's rewrite says that sharing sites are liable unless they take steps to stop that content before it goes online.

    So yes, this is about liability, but it's also about filtering. What happens if you strip liability protections from the Internet? It means that services are now legally responsible for everything on their site. Consider a photo-sharing site where millions of photos are posted every hour. There are not enough lawyers -- let alone copyright lawyers -- let alone copyright lawyers who specialise in photography -- alive today to review all those photos before they are permitted to appear online.

    Add to that all the specialists who'd have to review every tweet, every video, every Facebook post, every blog post, every game mod and livestream. It takes a fraction of a second to take a photograph, but it might take hours or even days to ensure that everything the photo captures is either in the public domain, properly licensed, or fair dealing. Every photo represents as little as an instant's work, but making it comply with Article 13 represents as much as several weeks' work. There is no way that Article 13's purpose can be satisfied with human labour.

    It's strictly true that Axel Voss's version of Article 13 doesn't mandate filters -- but it does create a liability system that can only be satisfied with filters.

    But there's more: Voss's stripping of liability protections has Big Tech like YouTube scared, because if the filters aren't perfect, they will be potentially liable for any infringement that gets past them -- and given their billions, that means anyone and everyone might want to get a piece of them. So now, YouTube has started lobbying for the original text, copyright filters and all. That text is still on the table, because the trilogue uses both Voss' text (liability to get filters) and member states' proposal (all filters, all the time) as the basis for the negotiation.

  • Most online platforms cannot have lawyers review all the content they make available

    The only online services that can have lawyers review their content are services for delivering relatively small libraries of entertainment content, not the general-purpose speech platforms that make the Internet unique. The Internet isn't primarily used for entertainment (though if you're in the entertainment industry, it might seem that way): it is a digital nervous system that stitches together the whole world of 21st Century human endeavor. As the UK Champion for Digital Inclusion discovered when she commissioned a study of the impact of Internet access on personal life, people use the Internet to do everything, and people with Internet access experience positive changes across their lives : in education, political and civic engagement, health, connections with family, employment, etc.

    The job we ask, say, iTunes and Netflix to do is a much smaller job than we ask the online companies to do. Users of online platforms do sometimes post and seek out entertainment experiences on them, but as a subset of doing everything else: falling in love, getting and keeping a job, attaining an education, treating chronic illnesses, staying in touch with their families, and more. iTunes and Netflix can pay lawyers to check all the entertainment products they make available because that's a fraction of a slice of a crumb of all the material that passes through the online platforms. That system would collapse the instant you tried to scale it up to manage all the things that the world's Internet users say to each other in public.

  • It's impractical for users to indemnify the platforms

    Some Article 13 proponents say that online companies could substitute click-through agreements for filters, getting users to pay them back for any damages the platform has to pay out in lawsuits. They're wrong. Here's why.

    Imagine that every time you sent a tweet, you had to click a box that said, "I promise that this doesn't infringe copyright and I will pay Twitter back if they get sued for this." First of all, this assumes a legal regime that lets ordinary Internet users take on serious liability in a click-through agreement, which would be very dangerous given that people do not have enough hours in the day to read all of the supposed 'agreements' we are subjected to by our technology.

    Some of us might take these agreements seriously and double-triple check everything we posted to Twitter but millions more wouldn't, and they would generate billions of tweets, and every one of those tweets would represent a potential lawsuit.

    For Twitter to survive those lawsuits, it would have to ensure that it knew the true identity of every Twitter user (and how to reach that person) so that it could sue them to recover the copyright damages they'd agreed to pay. Twitter would then have to sue those users to get its money back. Assuming that the user had enough money to pay for Twitter's legal fees and the fines it had already paid, Twitter might be made whole... eventually. But for this to work, Twitter would have to hire every contract lawyer alive today to chase its users and collect from them. This is no more sustainable than hiring every copyright lawyer alive today to check every tweet before it is published.

  • Small tech companies would be harmed even more than large ones

    It's true that the Directive exempts "Microenterprises and small-sized enterprises" from Article 13, but that doesn't mean that they're safe. The instant a company crosses the threshold from "small" to "not-small" (which is still a lot smaller than Google or Facebook), it has to implement Article 13's filters. That's a multi-hundred-million-dollar tax on growth, all but ensuring that the small Made-in-the-EU competitors to American Big Tech firms will never grow to challenge them. Plus, those exceptions are controversial in the Trilogue, and may disappear after yet more rightsholder lobbying.

  • Existing filter technologies are a disaster for speech and innovation

    ContentID is YouTube's proprietary copyright filter. It works by allowing a small, trusted cadre of rightsholders to claim works as their own copyright, and limits users' ability to post those works according to the rightsholders' wishes, which are more restrictive than what the law's user protections would allow. ContentID then compares the soundtrack (but not the video component) of any user uploads to the database to see whether it is a match.

    Everyone hates ContentID. Universal and the other big rightsholders complain loudly and frequently that ContentID is too easy for infringers to bypass. YouTube users point out that ContentID blocks all kind of legit material, including silence , birdsong , and music uploaded by the actual artist for distribution on YouTube . In many cases, this isn't a 'mistake,' in the sense that Google has agreed to let the big rightsholders block or monetize videos that do not infringe any copyright, but instead make a fair use of copyrighted material.

    ContentID does a small job, poorly: filtering the soundtracks of videos to check for matches with a database populated by a small, trusted group. No one (who understands technology) seriously believes that it will scale up to blocking everything that anyone claims as a copyrighted work (without having to show any proof of that claim or even identify themselves!), including videos, stills, text, and more.

  • Online platforms aren't in the entertainment business

    The online companies most impacted by Article 13 are platforms for general-purpose communications in every realm of human endeavor, and if we try to regulate them like a cable operator or a music store, that's what they will become.

  • The Directive does not adequately protect fair dealing and due process

    Some drafts of the Directive do say that EU nations should have "effective and expeditious complaints and redress mechanisms that are available to users" for "unjustified removals of their content. Any complaint filed under such mechanisms shall be processed without undue delay and be subject to human review. Right holders shall reasonably justify their decisions to avoid arbitrary dismissal of complaints."

    What's more, "Member States shall also ensure that users have access to an independent body for the resolution of disputes as well as to a court or another relevant judicial authority to assert the use of an exception or limitation to copyright rules."

    On their face, these look like very good news! But again, it's hard (impossible) to see how these could work at Internet scale. One of EFF's clients had to spend ten years in court when a major record label insisted -- after human review, albeit a cursory one-- that the few seconds' worth of tinny background music in a video of her toddler dancing in her kitchen infringed copyright. But with Article 13's filters, there are no humans in the loop: the filters will result in millions of takedowns, and each one of these will have to receive an "expeditious" review. Once again, we're back to hiring all the lawyers now alive -- or possibly, all the lawyers that have ever lived and ever will live -- to check the judgments of an unaccountable black box descended from a system that thinks that birdsong and silence are copyright infringements.

    It's pretty clear the Directive's authors are not thinking this stuff through. For example, some proposals include privacy rules: "the cooperation shall not lead to any identification of individual users nor the processing of their personal data." Which is great: but how are you supposed to prove that you created the copyrighted work you just posted without disclosing your identity? This could not be more nonsensical if it said, "All tables should weigh at least five tonnes and also be easy to lift with one hand."

  • The speech of ordinary Internet users matters

    Eventually, arguments about Article 13 end up here: "Article 13 means filters, sure. Yeah, I guess the checks and balances won't scale. OK, I guess filters will catch a lot of legit material. But so what? Why should I have to tolerate copyright infringement just because you can't do the impossible? Why are the world's cat videos more important than my creative labour?"

    One thing about this argument: at least it's honest. Article 13 pits the free speech rights of every Internet user against a speculative theory of income maximisation for creators and the entertainment companies they ally themselves with: that filters will create revenue for them.

    It's a pretty speculative bet. If we really want Google and the rest to send more money to creators, we should create a Directive that fixes a higher price through collective licensing.

    But let's take a moment here and reflect on what "cat videos" really stand in for here. The personal conversations of 500 million Europeans and 2 billion global Internet users matter : they are the social, familial, political and educational discourse of a planet and a species. They have worth, and thankfully it's not a matter of choosing between the entertainment industry and all of that -- both can peacefully co-exist, but it's not a good look for arts groups to advocate that everyone else shut up and passively consume entertainment product as a way of maximising their profits.

 

 

Just ragging...

Spanish comedian in court after he blows his nose on the country's flag


Link Here 28th November 2018
A Spanish comedian has been hauled in front of a judge for blowing his nose on the national flag on TV.

Dani Mateo could be prosecuted for offence of public affront to the symbols of Spain, which comes with a fine, or for carrying out a hate crime, which carries a maximum sentence of four years in jail.

The complaint was brought by a trade union representing police officers. They protested over a sketch on satirical news show El Intermedio, broadcast on the La Sexta channel last month, in which Mateo joked that he was going to read the only text that genuinely creates consensus in Spain: the patient guidelines in a packet of Frenadol. But as he read the instructions on the cold remedy, he pretended to sneeze, and blew his nose on the Spanish flag. He joked:

Christ, sorry! I didn't want to offend anyone. I didn't want to offend Spaniards, nor the king, nor the Chinese who sell these rags. Not rags, I didn't mean rags.

 

 

What about the fake promises?...

French Parliament passes law allowing the immediate censorship of anything claimed to be 'fake news' during elections


Link Here 23rd November 2018
Full story: Internet Censorship in France...Web blocking in the name of child protection
France's parliament has passed a new law empowering judges to order the immediate censorahip of 'fake news' during election campaigns.

The law, conceived by President Emmanuel Macron, was rejected twice by the senate before being passed by the parliament on Tuesday. It is considered western Europe's first attempt to officially ban material claimed to be fake.

Candidates and political parties will now be able to appeal to a judge to censor information claimed to be false during the three months before an election.

The law also allows the CSA, the French national TV censor, to suspend television channels controlled by a foreign state or under the influence of that state if they deliberately disseminate false information claimed likely to affect the ballot.

The law also states that users must be provided with information that is fair, clear and transparent on how their personal data is being used.

 

 

Er...it's easy, just claim it transgresses 'community guidelines'...

Facebook will train up French censors in the art of taking down content deemed harmful


Link Here 15th November 2018
Full story: Facebook Censorship...Facebook quick to censor

The French President, Emmanuel Macron has announced a plan to effectively embed French state censors with Facebook to learn more about how to better censor the platform. He announced a six-month partnership with Facebook aimed at figuring out how the European country should police hate speech on the social network.

As part of the cooperation both sides plan to meet regularly between now and May, when the European election is due to be held. They will focus on how the French government and Facebook can work together to censor content deemed 'harmful'. Facebook explained:

It's a pilot program of a more structured engagement with the French government so that both sides can better understand the other's challenges in dealing with the issue of hate speech online. The program will allow a team of regulators, chosen by the Elysee, to familiarize [itself] with the tools and processes set up by Facebook to fight against hate speech. The working group will not be based in one location but will travel to different Facebook facilities around the world, with likely visits to Dublin and California. The purpose of this program is to enable regulators to better understand Facebook's tools and policies to combat hate speech and, for Facebook, to better understand the needs of regulators.

 

 

Offsite Article: The Potential Unintended Consequences of Article 13...


Link Here 13th November 2018
Full story: Copyright in the EU...Copyright law for Europe
Susan Wojcicki, CEO of YouTube explains how the EU's copyright rewrite will destroy the livelihood of a huge number of Europeans

See article from youtube-creators.googleblog.com

 

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