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Once Upon a Time Deadpool was R rated...

But now the producers are testing out a PG-13 rating that hasn't sat well with UK, Australian and New Zealand censors


Link Here 13th December 2018
Full story: Deadpool and Deadpool 2...Superhero films with a little bit more adult appeal
Disney, the producers of Deadpool 2 are testing out a move to PG-13 for a projected series of films. The company has produced a festive version called Once Upon a Deadpool which has been cut for a PG-13 rating in the US.

The cuts were insufficient for the BBFC to lower its rating and the film was given a 15 rating.

In Australia the festive release achieved an M rating which is an advisory label recommending the film as suitable for 15 year olds.

As is the default case, the Australian rating is automatically accepted for New Zealand release with the film censor able to step in  to consider a New Zealand rating if it is felt necessary. And after the film had released, the New Zealand chief censor did indeed step in and replaced the Australian rating with a New Zealand R13. This is a straight 13 age restriction require all cinema goers to be 13 or over.

Chief censor David Shanks said he had decided to call the film in because of the disparity between the Australian and American assessments and Britain where it was slapped with a 15 classification.

Aware of the popularity of Deadpool 2 and significant interest in this new version from young Kiwis, particularly since it includes the now 16-year-old Dennison in a prominent role), Shanks and the rest of the censorship office included three members of its Youth Advisory Panel (YAP) in the special screening. The panel is made up of a dozen 16-to-20 year olds. Shanks said:

They confirmed many of our impressions, which was that, while significantly toned-down in terms of graphic gore, sexual innuendo and language, this film was still fundamentally a Deadpool film -- which meant that it features wall-to-wall death and violence and dark, adult-oriented humour.

They thought, on balance, an R13 classification would reflect the fact that this film has had some of the graphic content in the original Deadpool 2 toned down -- but the result is really still for teens and above.

Will Deadpool Movies Remain PG-13 Moving Forward?

13th December 2018 See article from movieweb.com by Trevor Norkey

Yes concludes the commentator, producers Disney would be much happier if they could drop the R rating.

Meanwhile the Once Upon a Deadpool poster has offended mormons

13th December 2018  See  article from patheos.com

Some Mormons are 'outraged' by a poster for Once Upon a Deadpool, because Deadpool looks too much like the religious character Jesus.

A petition with about 30,000 signatures insists that the poster is a doctored version that plays fast and loose with a sacred image of The Second Coming:

In the original painting Jesus Christ is at the center surrounded by angels. In the poster Deadpool replaces Jesus Christ.

Deadpool is positioned exactly as Jesus Christ was and is wearing a white robe. It is unknown if the picture was used to intentionally mock the Church of Jesus Christ, but it is clear it was copied from the original picture. This is a form a religious discrimination.

We ask that the picture be not used or posted in any manner. That they find another poster to represent their movie.

 

 

Updated: The House that Jack Built...

MPAA rules mean that the US online release will now be the cut version


Link Here 8th December 2018
Full story: The House that Jack Built...Lars Von Trier causes film censors problems again
The House That Jack Built is a 2018 Denmark / France / Germany / Sweden horror thriller by Lars von Trier.
Starring Matt Dillon, Bruno Ganz and Uma Thurman. BBFC link IMDb
Lars von Trier's upcoming drama follows the highly intelligent Jack (Matt Dillon) over a span of 12 years and introduces the murders that define Jack s development as a serial killer. We experience the story from Jack s point of view, while he postulates each murder is an artwork in itself. As the inevitable police intervention is drawing nearer, he is taking greater and greater risks in his attempt to create the ultimate artwork.

US film censors, the MPAA, don't like having two versions running at the same time. This lead to the censure for the film distributors of Lars von Trier's The House that Jack Built for a one day advance screening of the uncut version prior to the general release which features a cut R rated version.

As a result of the MPAA censure, the censorship will now extended to the US online release of the movie. The film's distributor IFC Films originally planned to release von Trier's unrated director's cut on-demand on December 14, while releasing an R-rated version in theaters on the same day. But the MPAA said that IFC's original plan--which would have allowed viewers to digitally rent the R-rated cut and offered the uncut version for digital purchase--was "in violation of the ratings system's rules".

The MPAA went further and threatened sanctions, excluding IFC from the ratings process for up to 90 days. (Most major exhibition chains will not show a film without an MPAA rating.) As a result, IFC has scrapped plans to release the director's cut next week.

According to an IFC publicist, it has tentatively rescheduled the online release of the Director's Cut for June. The R-rated cut, some four minutes shorter, will be released in theaters and for digital rental.

Meanwhile British distributors Curzon Artificial Eye have confirmed to Blu-ray.com that their upcoming Blu-ray release of The House That Jack Built will feature the longer original version of it that was screened at the Cannes Film Festival. Currently, the Blu-ray release is scheduled on March 4. The distributors have also confirmed that they will not be releasing the R-rated version of the film on any home video format.

Update: Uncut at UK cinemas and on DVD/Bu-ray

7th December 2018.

Artificial Eye didn't mention the cinema release in the above statement, but thanks to Peter who reports that the Curzon cinema has confirmed that the UK cinema release will feature the Director's Cut.

Update: Kiss and make up

8th December 2018. See article [pdf] from filmratings.com

Joint Statement from CARA and IFC Films on The House That Jack Built

The Classification and Rating Administration (CARA) and IFC Films have reached a mutually agreed upon resolution to address CARA's concerns associated with The House That Jack Built, Director's Cut (unrated) and The House That Jack Built (rated R). IFC Films acknowledges that there was confusion in the marketplace about the rating and has committed to working with CARA to avoid any confusion going forward.

CARA's ultimate goal is to maintain the trust and confidence of American parents by providing them with accurate, useful information about the level of content in films -- and appreciates IFC Films' cooperation to ensure the proper use of the ratings.

 

 

Offsite Article: It was good while it lasted...


Link Here 7th December 2018
Full story: MPAA NC-17...US adults only certificate is the kiss of box office death
A Brief History of the US X Rating. By Jason Bailey

See article from vulture.com

 

 

The House that Jack Built...

The US film censor is not impressed by a special one night screening of the uncut version


Link Here 29th November 2018
Full story: The House that Jack Built...Lars Von Trier causes film censors problems again
The House That Jack Built is a 2018 Denmark / France / Germany / Sweden horror thriller by Lars von Trier.
Starring Matt Dillon, Bruno Ganz and Uma Thurman. BBFC link IMDb
Lars von Trier's upcoming drama follows the highly intelligent Jack (Matt Dillon) over a span of 12 years and introduces the murders that define Jack s development as a serial killer. We experience the story from Jack s point of view, while he postulates each murder is an artwork in itself. As the inevitable police intervention is drawing nearer, he is taking greater and greater risks in his attempt to create the ultimate artwork.

The MPAA is Going After distributors IFC over a one day special screening of the  Director's Cut of The House That Jack Built.

Ahead of the general release of the cut R rated version of Lars von Trier's new film on December 14, the Director's Cut of the film played select theaters, for one night only, and it looks like those screenings have landed IFC Films in trouble with the US film censors of the MPAA.

The MPAA has rules allowing only one version of a film to be shown in cinemas at a time. Ratings can in fact be changed but only after a certain time has elapsed, and with the previous rating being revoked.

As reported by Deadline, IFC now faces potential sanctions over the screenings. The MPAA said in a statement that they have:

Communicated to the distributor, IFC Films, that the screening of an unrated version of the film in such close proximity to the release of the rated version -- without obtaining a waiver -- is in violation of the rating system's rules. The effectiveness of the MPAA ratings depends on our ability to maintain the trust and confidence of American parents. That's why the rules clearly outline the proper use of the ratings. Failure to comply with the rules can create confusion among parents and undermine the rating system -- and may result in the imposition of sanctions against the film's submitter.

A hearing in the very near future will allow IFC to plead their case, and it's possible that the MPAA could revoke the rating they had issued to the film.

 

 

This censor is not yet rated...

MPAA appoints a new chair of its ratings board, CARA


Link Here 16th November 2018
The MPAA has named Kelly McMahon to succeed Joan Graves as chair of the Classification and Rating Administration, CARA.

Graves, a 77-year-old grandmother of two, retires next year after 30 years with the organization.

McMahon, joined the MPAA 11 years ago and currently serves as VP and corporate counsel. She is the legal counsel to CARA, providing guidance about compliance with the CARA rules and the advertising review process. She also oversees the CARA Appeals Board process.

CARA was created by former MPAA president and CEO Jack Valenti 50 years ago this month. This voluntary program provided an alternative to government censorship of movies and was designed first and foremost to be a resource for parents, while simultaneously protecting the First Amendment, the rights of filmmakers, and the creative process.

 

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