Midsommar is a 2019 USA horror mystery thriller by Ari Aster.
Starring Florence Pugh, Jack Reynor and William Jackson Harper.
A young American couple, played by Florence Pugh and Jack Reynor, fly to a rural town in Sweden for a once-in-a-lifetime midsummer festival after experiencing a death in the family. Not long after the couple's arrival, their trip unfolds into a
hallucinatory nightmare when the visitors are invited to drink some sort of concoction that seemingly screws with their perception of time, and are targeted by the sinister leaders of a pagan cult.
The Daily mail has somewhat uncharacteristically published an article about censors cut and a Director's Cut for Ari Aster's Midsommar.
Film producer A24's critically-acclaimed horror film Midsommar is winning rave reviews from fans and critics alike, who will get to see an even longer version soon.
Midsommar writer-director Ari Aster held a Reddit Q&A, where he was asked about a potential director's cut, and reports that he had to cut a whopping 80 minutes from the theatrical cut, which spanned a lengthy 147 minutes.
Aster was asked if the director's cut will be part of the film and not just a special feature, while the director responded by saying the extended cut will have a half hour of new footage.
Another fan also asked if the Motion Picture Association of America (MPAA) gave them any trouble for a scene involving Jack Reynor having an erection. Aster responded:
Yes, we had an NC-17 for 6 weeks. Lots of back-and-forth with them
Ari Aster's director's cut is now confirmed and is set to debut next month in New York City. The screening will take place at the Lincoln Center in New York City on August 17 and will be titled as a Director's Cut as opposed to just an
On the 30 minutes of additional footage, Aster has teased:
A more nuanced picture of Harga, more rituals and more nuance for the relationship between Dani (Florence Pugh) and Christian (Jack Reynor), and more by way of the thesis competition between Josh (William Jackson Harper) and Christian.
Cut in the US for an MPAA PG-13 rated theatrical release
17th July 2019
The Current War is a 2017 USA historical biography by Alfonso Gomez-Rejon.
Starring Tom Holland, Benedict Cumberbatch and Tuppence Middleton.
Starring Benedict Cumberbatch as Thomas Edison and Michael Shannon as George Westinghouse, THE CURRENT WAR is the epic story of the cutthroat competition between the greatest inventors of the industrial age over whose electrical system would
power the new century. Backed by J.P. Morgan, Edison dazzles the world by lighting Manhattan. But Westinghouse, aided by Nikola Tesla, has seen fatal flaws in Edison's direct current design. Igniting a war of currents, Westinghouse and Tesla bet
everything on risky and dangerous alternating current. Directed by Alfonso Gomez-Rejon (Me and Earl and the Dying Girl) and written by playwright Michael Mitnick (Sex Lives of our Parents), THE CURRENT WAR also stars Katherine Waterston,
Nicholas Hoult, Tom Holland, Matthew Macfadyen, and Tuppence Middleton.
The film is MPAA PG-13 rated in the US but only after cuts so as to tone down the consumer advice.
The film was originally uncut and MPAA PG-13 rated for some disturbing/violent images, and thematic elements.
The distributors made cuts and resubmitted the film. it was then passed PG-13 for some violent content and thematic elements.
Presumably the US version was cut to remove the disturbing images.
For comparison the film is uncut and 12A rated in the UK.
Fast & Furious Presents: Hobbs & Shaw is a 2019 USA action adventure by David Leitch.
Starring Dwayne Johnson, Idris Elba and Eiza González.
Lawman Luke Hobbs and outcast Deckard Shaw form an unlikely alliance when a cyber-genetically enhanced villain threatens the future of humanity.
In this Fast and Furious spinoff, Dwayne The Rock Johnson and Jason Statham's characters find themselves having to stop Idris Elba s Brixton Lore from unleashing a deadly virus on humanity.
One of the big fights will unfold when Luke Hobbs, Deckard Shaw and Vanessa Kirby's Hattie Shaw team up with Hobbs family to clash with Brixton Lore and his goons in Samoa. Johnson shared how it was initially planned for him to bite and spit out
his opponent's eye. He claimed:
Unfortunately the scene where I bite the bad guy's eye out and spit it on the dirt didn't make it. MPAA ratings board forbid us to show it because it was too violent.
PG-13 movies are granted a fair amount of leeway when it comes to action and violence, but naturally there are some things that are off limits within that rating. Luke Hobbs removing a man's eye from his socket would have been shocking, brutal
and badass, but the MPAA wasn't having it, so we'll have to make due with Johnson's character simply tossing his adversary to the ground and bludgeoning him senseless.
America's Federal Communications Commission (FCC) has published a report about the US TV rating classification system.
The familiar TV ratings, TVY, TV7, TVG, TVPG, TV14, TVMA are essentially self administered by the TV companies but there is an overview body called The TV Parental Guidelines (Oversight) Monitoring Board. The board describes itself:
The TV Parental Guidelines Monitoring Board is responsible for ensuring there is as much uniformity and consistency in applying the Parental Guidelines as possible. The Monitoring Board does this by reviewing complaints and
other public input and by facilitating discussion about the application of ratings among members of the Board and other relevant industry representatives. The Monitoring Board typically meets annually or more often, if necessary, to consider and
review complaints sent to the Board, discuss current research, and review any other relevant issues. The Board also facilitates regular calls among industry standards and practices executives to discuss pending and emerging issues in order to
promote ratings consistency across companies.
In addition to the chairman, the Board includes 18 industry representatives from the broadcast, cable and creative communities appointed by the National Association of Broadcasters (NAB), NCTA 203 The Internet and
Television Association, and the Motion Picture Association of America (MPAA), and five public interest members, appointed by the Board chairman.
The chairman id Michael Powell and the board representatives are from
21st Century FOX
American Academy of Pediatrics
Boys and Girls Clubs of America
Call for Action
Entertainment Industries Council
Sony Pictures Entertainment
Turner Broadcasting System
Viacom Media Networks
The TV ratings are frequently criticised, at least by morality campaign groups and recently the FCC responded by undertaking a review of the TV rating system. The FCC has just published its findings and concurs with much of the criticism. The FCC
After reviewing the record as a whole, our primary conclusion is that the Board has been insufficiently accessible and transparent to the public. For example, when the Bureau began its work on this report, the Board's website did not even
include a phone number that someone could call to reach it. We are pleased that this problem was recently fixed. But in our view, additional steps should be taken to increase awareness of the Board's role and the transparency of its operations.
Below are suggestions along those lines that we submit for Board and industry consideration.
First, we urge the Board and the video programming industry to increase their efforts to promote public awareness of the Board and its role in overseeing the rating system. We urge the Board and the industry to increase their outreach efforts
concerning the existence of the rating system and consider additional ways in which they can publicize the ability of the public to file complaints, along with instructions on how complaints can be filed. In this regard, as noted, the Board
recently reactivated a telephone number for use in contacting the Board and also provides a post office box where physical mail can be sent.
Second, we suggest that the Board consider ways to inform the public regarding the number of complaints it receives, the nature of each complaint, the program and network or producer involved, and the action taken, if any, by the
network/producer or the Board in response to the complaint. For instance, the Board could consider issuing an annual report on the complaints it has received about the ratings of programs, how those complaints were adjudicated, and whether
complaints led to the rating of a program being changed in future airings.
Third, we suggest that the Board hold at least one public meeting, that is publicized with adequate notice, each year. This would permit the public to express their views directly to the Board and help the Board better understand public concerns
regarding program ratings.
we suggest that the Board consider doing random audits or spot checks analyzing the accuracy and consistency of the ratings being applied pursuant to the TV Parental Guidelines. This information could be used, in addition to the survey data
already collected by the Board, to help assess, and if necessary, improve ratings accuracy. Such information would also allow the Board and the industry to consider whether any changes are needed to the guidelines themselves to ensure that they
are as helpful as possible to today's viewers, consistent with the Board's commitment.
We note the ratings system has not changed in over 20 years and, despite its longevity, many commenters contend that the rating system is not well-understood or useful to parents.